W.R. Dallas has been crafting western furniture since 1929. The company’s iconic pieces have appeared everywhere from Hollywood films to hotel chains.
The sequel to Tobe Hooper’s slasher sucks all the fun out of psychotic cannibal killers—but it does have a message for Californians headed to Texas.
In ‘Jockey,’ Dallas director Clint Bentley draws dark lessons from a life lived on the track.
Richard Linklater’s ‘SubUrbia’ is ‘The Last Picture Show’ of the nineties.
Seventeen families are suing the Golden Gate Funeral Home for allegedly desecrating their loved ones' bodies.
Jennifer Lopez and Owen Wilson, perhaps surprisingly, have enough chemistry to carry the film's outrageous premise.
A grassroots campaign—and a multibillion-dollar corporate real estate acquisition—kept the bulldozers away.
The Texas native’s slow but steady rise to stardom just hit a new benchmark.
The Austin-set firefighter show devotes four episodes to the 2021 freeze while ignoring all of the real-life drama.
More visual poem than documentary, the film tracks a music manager and singer who follow their dreams while providing for their undocumented parents.
The Austin filmmaker’s episodes of ‘The Book of Boba Fett’ embody an existential crisis over the future of Star Wars.
Harriet Sansom Harris, who plays an unhinged talent agent, had to be convinced to emerge from her pandemic quarantine in the woods.
Magnolia Network, helmed by Waco’s First Family, has already weathered its first scandal. Viewers will keep tuning in.
The characters might be fictional, but to the Latinos who see their own families reflected in them, it’s a relief to see them say what we wish we could.
For the Corpus Christi native, the story of the 1996 championship bout between Oscar De La Hoya and Julio César Chávez was also her story.
‘Blood and Money’ has it all: new oil money, an equestrian heiress, a handsome plastic surgeon, River Oaks mansions, and gossip-worthy trials.
The popular Netflix cheerleading docuseries, set in Corsicana and Athens, takes a nosedive from feel-good to deeply disturbing.
The Texas City native and star of the hit HBO comedy series talks Judy Gemstone, ham slices, and why there’s nothing worse than someone trying to be funny.
The gender-swapped sequel will be an easy watch for sitcom fans, but the callbacks and in-jokes tip into the saccharine.
Comedies must choose whether to punch up or punch down; watching ‘Search Party’ has always made me feel like I’m punching myself.
Can the Fab Five help a society ravaged by grief recover? The answer is yas.
The Cranfills Gap–raised showrunner’s latest series tracks a harrowing journey westward from Fort Worth.
From newcomers to reliable veterans to a pop star remaking her TV career, these were the actors worth watching this year.
‘The Power of the Dog,’ featuring Dallas-born Jesse Plemons, is well worth your time.
The premier entertainment brands are entering a three-year deal with the National Magazine of Texas that gives them a “first look” at articles and podcasts they’re interested in adapting as TV series.
In Peter Jackson’s documentary ‘The Beatles: Get Back,’ Houston-born pianist Billy Preston makes a strong case for himself as the fifth Beatle.
Texas actor Tye Sheridan stars alongside Ben Affleck in the sentimental yet skippable story of an aspiring writer, directed by George Clooney.
The unnerving feature debut from Red Oak native Lauren Hadaway plumbs the gloomy depths beneath a college rower’s quest for greatness.
The cringey Netflix show strikes the classic reality-TV balance of being both hard to watch and impossible to turn off.
Twenty-five years later, Mike Judge’s ‘King of the Hill’ still captures something essential about Texans and Texas life. But are there any Hank Hills left?
The streaming phenomenon, produced just outside of Dallas, is winning converts with its ‘Friday Night Lights’ spin on faith.
The new show has a strong premise that’s derailed by cheap laughs. But cartoonist Gilbert Shelton’s counterculture strips are still great.
Fort Worth writer-director Derek Presley overcame unprecedented odds to make his otherwise unremarkable thriller about a tormented hit man.
The latest from the director of ‘The Florida Project’ sees a scheming former porn star wash up along Texas’s Gulf Coast.
Dallas native William Jackson Harper is a romantic lead who's prone to repeating mistakes and slow to mature.
A new book tells the sweeping tale of the Alamo’s Weird Wednesday series, the American Genre Film Archive, and Austin’s custodians of cult.
The rising Grapevine star brings fresh spirit to a movie that’s fatally preoccupied with reviving the dead.
Indulge in over-the-top cocktails like the Skeleton Cruise, which comes in a boat with dry ice and activates bar-wide light and sound effects.
How an Amarillo oilman stole the mask right off the Lone Ranger’s face, and made one of film’s most infamous failures in the process.
Over one hundred movies later, a virtual movie club learned some surprising things about classic movies—and about friendship in dark times.
Dallas-raised actor Jonathan Majors leads a star-studded cast as outlaw Nat Love seeking revenge.
He made the low-budget film at a low point in his career—but twenty years later, it stands the test of time.
The 1981 slasher spoof prominently features Houston and a future Texas politician, but that’s not all that’s notable about it.
The Houston filmmaker’s latest is a valentine to defiantly idiosyncratic storytellers like Wes Anderson.
The sequel to David Gordon Green’s franchise reboot is all filler, same old killer.
Austin-raised writer-director Justin Corsbie’s debut about a down-on-his-luck troubadour feels as warmly familiar as the Americana songs that inspired it.
The Houston-raised actor shines as a pompous space tyrant in the otherwise dreary Isaac Asimov adaptation.
There may be no more powerful film about growing up with nowhere to go.
The collectors are younger, the payouts are bigger, the collectibles are … nerdier. Dallas-based Heritage Auctions has entered a wild new era.